While ednet's contribution to the phenomenally successful film may not be
as visible as the work on the special effects wizards and set builders, the
unique networking services supplied by ednet saved director James Cameron
valuable time, travel expense and further stress. His hard work and focused
leadership paid off with Academy Awards for Best Director and Best Picture.
Additionally, the record breaking film picked up nine more Oscars, and ednet
technology may have played a role in several of the other award winning
crafts: Sound, Sound Effects Editing, Musical Score, and possibly even Film
Editing.
Geoff Burdick at James Cameron's production company, Lightstorm
Entertainment, contacted EDnet with a challenging set of requirements:
Provide technology solutions that would allow Mr. Cameron to be able to edit
his next picture at his Malibu compound, and still a) supervise work at his
Venice, CA special visual effects studio, Digital Domain, b) supervise
sound work at Skywalker Ranch in Northern California, c) participate in
the scoring sessions at ToddAO Scoring in Studio City, CA, and d)
supervise dialogue replacement at various ADR studios wherever they might be
needed.
Many discussions and many months later,
Titanic was finally under way and ednet's specialized network services were
deployed at various sites for the duration of the production and
post-production phases. Mr. Cameron was able to continue constant editing at
his home base in Malibu, while utilizing ednet's specialized network services
to participate in music recording sessions going on at ToddAO Scoring in
Studio City, where James Horner's Oscar winning score was captured by mixer
Shawn Murphy. ednet provided Dolby Fax audio equipment, ISDN lines and other
technical engineering to transmit CD quality audio for Cameron's step by step
review and approval. ednet also provided a T-1 link for Lightstorm
Entertainment's VTEL video codecs, enabling Cameron to have 30 frame per
second video contact with the music production team.
During the same period, without leaving Malibu, Cameron was able to
audition and comment on sound design and sonic effects, featuring the Oscar
winning Sound Effects Editing of Christopher Boyce and Tom Bellfort. Sound
effects mixes were sent from Skywalker Sound in Northern California. That
facility, thirty-five miles north of San Francisco, the post production
facility at George Lucas' Skywalker Ranch, has used ednet's services since
1992. A special small-room 6-channel cinema monitoring system was supplied by
TMH Labs of Los Angeles to provide playback in the sound room at Cameron's
Malibu outpost. The accompanying video was locked in sync by a Colin Broad
Model IS-1 ISDN Synchronizer integrated into a seamless end to end solution
by ednet.
In the weeks leading up to the final audio mix, the crucial sound effects
and dialog premixes were prepared by the team that would win the Oscar for
best Sound, Gary Rydstrom, Tom Johnson, and Gary Summers at Skywalker Sound.
Their mix room is equipped with six channel Dolby Fax equipment from ednet to
allow distant directors to listen in on their work, should the need
arise.